Why Boob Jobs are Out | Sunday Life

Art by Chance Jarvis (2019 archive)
Two rows of lined teeth,
outmost molded, laid
piece by piece, brick and mortar:
seamless. Fill the chip earned
from a line drive at twelve,
crookedness veiled with replicas,
molars collected from a place
where cars are made
A smiling ad
to tell me I am strange.
Framed at the Tate:
ultra - modern woman,
[name redacted], on operating table
face torn cheek to crown,
peeled back, wet on the inside,
squeeze toys I burst as a girl
recalled later for toxins.
I see her on TV in a month
swollen thin, sharp, a scalpel,
to tell me I am strange.
I don’t know where flesh is discarded,
where veneers are kept at night.
Jars lined along a wall, labeled,
teeth, cheeks, gut, ribs,
alongside canned tuna, bottled water,
glass broken in emergency
when they decide they want their
teeth, cheeks, gut, ribs,
replanted and sewn inside:
things that are strange.